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Film reviews

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Film reviews
Hollywood blockbusters, local greats, European movies, Japanese and Korean dramas, animation, art house films, you can find them all here.
Saja Kilani in a still from The Voice of Hind Rajab.
European cinema

Review | The Voice of Hind Rajab: harrowing Gaza docudrama is vital cinema

Kaouther Ben Hania’s gripping docudrama about a young girl trapped in a car uses real voice recordings to help expose the brutal cost of war.

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Asian cinema: Japanese films

Review | The Samurai and the Prisoner: Kiyoshi Kurosawa back with feudal-era thriller

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American cinema

Review | Star Wars: The Mandalorian and Grogu plays like an extended TV episode

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European cinema

Review | Bitter Christmas: Pedro Almodovar engrosses with his latest meta movie

A film within a film within a film, Bitter Christmas examines the relationship between life and cinema.

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Barbara Lennie (left) and Victoria Luengo in a still from Bitter Christmas.
European cinema

Review | Fjord: Sebastian Stan, Renate Reinsve anchor ice-cold child welfare drama

Fjord, set in a remote Norwegian village with stunning backdrops, explores a religious couple’s clash with Norway’s Child Protection Services.

Asian cinema: Korean films

Review | Hope: director Na Hong-jin of The Wailing fame returns with a monster mess

A promising beginning and strong performances are not enough to save Hope from being a messy spectacle with woeful CGI monsters.

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American cinema

Review | Paper Tiger: Adam Driver and Scarlett Johansson lead dark gangster movie

Director James Gray returns to his mob roots in this film about two brothers who fall foul of the Russian mafia in New York. Also stars Miles Teller.

(From left) Miles Teller, Adam Driver, Roman Engel, Gavin Goudey and Scarlett Johansson in a still from Paper Tiger. The film is directed by James Gray.
Asian cinema: Japanese films

Review | Sheep in the Box: Hirokazu Koreeda tackles grief in sci-fi drama

Hirokazu Koreeda’s Cannes entry probes grief, artificial intelligence and family bonds, but its subplots leave the film scattered.

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Asian cinema: Korean films

Review | Colony: Jun Ji-hyun returns in slick but empty zombie thriller

Jun Ji-hyun stars as a biotech professor battling bloodthirsty zombies in Train to Busan director Yeon Sang-ho’s new film.

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Asian cinema: Japanese films

Review | All of a Sudden: Ryusuke Hamaguchi wows with Paris-set drama

Starring Virginie Efira and Tao Okamoto, the three-hour movie on caregiving and capitalism is anchored by a profound bilingual conversation.

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Tao Okamoto plays a Japanese theatre director in All of a Sudden. The Paris-set drama is directed by Ryusuke Hamaguchi.
Asian cinema

Review | Parallel Tales: Asghar Farhadi misfires with latest French excursion

This tale of voyeurism in Paris, starring Vincent Cassel, Virginie Efira and Isabelle Huppert, lacks any tension or romantic intrigue.

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Isabelle Huppert as Sylvie (left) and Adam Bessa as Adam in a still from Parallel Tales, directed by Asghar Farhadi.
Asian cinema: Japanese films

Review | Nagi Notes: Koji Fukada ponders the meaning of art in wartime

Featuring nuanced performances and beautiful camerawork, Nagi Notes asks what art should mean in the chaotic world we live in.

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Asian cinema: Chinese films

Review | A Man and a Woman: Hong Kong-set quarantine drama is a tough watch

Neighbouring hotel guests develop a relationship over the course of their 21-day quarantine in Hong Kong in Guan Hu’s pandemic-set drama.

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American cinema

Review | Mortal Kombat II: Karl Urban leads brainless, outdated action sequel

Little more than a series of cartoonish ultra-violent vignettes, Mortal Kombat II feels as antiquated as the amulet the characters chase.

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(From left) Ludi Lin as Liu Kang, Mehcad Brooks as Jackson “Jax” Briggs, Jessica McNamee as Sonya Blade and Karl Urban as Johnny Cage in a still from Mortal Kombat II (category III), directed by Simon McQuoid. Photo: Warner Bros
Asian cinema: Japanese films

Review | Milky Subway: The Galactic Limited Express is a riotous sci-fi anime ride

A 47-minute compilation of Yohei Kameyama’s animated series, Milky Subway provides more laughs and surprises than many feature-length films.

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A still from the animated film Milky Subway: The Galactic Limited Express (category IIA; Japanese), directed by Yohei Kameyama.
European cinema

Review | Sound of Falling: Cannes Jury Prize winner is a beautiful tale of trauma

The lives of four women in different eras on one farm are intertwined with haunting narratives of trauma and liberation in Sound of Falling.

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American cinema

Review | The Devil Wears Prada 2: iconic fashion comedy gets a slick but muted update

The Devil Wears Prada 2 tackles journalism’s digital shift and changes within the fashion industry since the first film came out in 2006.

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Asian cinema: Hong Kong film

Review | Cold War 1994: Hong Kong crime thriller prequel is a star-studded blast

Terrance Lau leads this unrealistic but fun 1990s-set actioner that’s stuffed with stars including Aaron Kwok, Chow Yun-fat and Louis Koo.

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Louise Wong and Terrance Lau in a still from Cold War 1994 (category: IIB, Cantonese, English), directed by Longman Leung and co-starring Daniel Wu and Tse Kwan-ho.
American cinema

Review | Michael: ‘King of Pop’ biopic features all the hits, none of the controversy

While the film is packed with great performances, it is an utterly sanitised view of Michael Jackson’s life and the allegations he faced.

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European cinema

Review | Arco: Annecy winner is a charming Peter Pan-esque sci-fi fable for our times

Featuring voices including Natalie Portman and Mark Ruffalo, Ugo Bienvenu’s directorial debut Arco delivers a powerful ecological message.

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Asian cinema: Chinese films

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

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Shen Teng in a still from Pegasus 3 (category IIA, Mandarin), directed by Han Han. Andrew Yin and Huang Jingyu co-star.
Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
American cinema

Review | The Super Mario Galaxy Movie: Nintendo sequel looks great but lacks laughs

Donald Glover, Brie Larson and Benny Safdie join the cast in this sequel to 2023’s hugely successful The Super Mario Bros Movie.

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Asian cinema: Korean films

Review | Humint: dynamic Korean spy thriller from Ryoo Seung-wan on Netflix

Starring Zo In-sung, Park Jeong-min and Park Hae-joon, Humint rewards patient viewers with some of the best heroic bloodshed in recent times.

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American cinema

Review | They Will Kill You: Zazie Beetz leads a delicious slice of midnight madness

They Will Kill You delivers dark comic madness, with Zazie Beetz taking a magnetic turn as an ex-con battling satanic elites in New York.

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Zazie Beetz in a still from They Will Kill You (category III), directed by Kirill Sokolov. Tom Felton and Patricia Arquette co-star.
American cinema

Review | Ready or Not 2: Here I Come – Samara Weaving back for stale horror sequel

Good casting and funny moments aside, this horror sequel with Sarah Michelle Gellar is heavier on bloodshed than on new ideas.

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Samara Weaving (left) and Kathryn Newton in a still from Ready or Not 2: Here I Come (category: III), co-starring Elijah Wood. Directed by Matt Bettinelli-Olpin and Tyler Gillett. Photo: Searchlight Pictures
Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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