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Film reviews
Hollywood blockbusters, local greats, European movies, Japanese and Korean dramas, animation, art house films, you can find them all here.
Baneen Ahmad Nayyef (kneeling) in a still from The President’s Cake (category IIA, Arabic), directed by Hasan Hadi. Waheed Thabet Khreibat and Sajad Mohamad Qasem co-star.
Asian cinema

Review | The President’s Cake: Cannes-winning Iraqi drama is an instant classic

Hasan Hadi’s profound film follows a young Iraqi girl trying to find ingredients for a cake to celebrate Saddam Hussein’s birthday.

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Asian cinema: Hong Kong film

Review | Kung Fu Soccer: Stephen Chow loses his touch with Shaolin Soccer spin-off

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American cinema

Review | Evil Dead Burn: gruesome new chapter proves there is life in the franchise

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American cinema

Review | Moana: Catherine Laga’aia shines in Disney’s vibrant live-action remake

Moana features a breakout performance by Catherine Laga’aia as the titular Moana – but the remake loses some of the magic of the original.

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Catherine Laga’aia as Moana in a still from Moana. Photo: Disney
Asian cinema: Chinese films

Review | A Dance with Rainbows: Taiwanese coming-of-age boxing drama packs a punch

Director Lee Yi-shan delivers a quietly powerful Taiwanese sports drama in A Dance with Rainbows, starring Lin Yi-ting.

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Asian cinema: Hong Kong film

Review | Unidentified Murder: twisty Hong Kong comedy shows admirable ambition

This award-winning comedy about an online prank that ends in a murder is a quirky story underpinned by the performances of its lead actors.

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American cinema

Review | Power Ballad: Paul Rudd, Nick Jonas charm in feel-good music rights drama

This drama about the music industry, stardom and arguments over intellectual property is a fun story with solid performances from its leads.

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Nick Jonas (left) as former boy band member Danny and Paul Rudd as ex-rock star Rick in a still from Power Ballad (category IIB), directed by John Carney. Photo: David Cleary/Lionsgate
American cinema

Review | Minions & Monsters: a clever, self-aware homage to classic Hollywood

Everyone’s favourite Despicable Me sidekicks are back, this time in Hollywood in the 1920s, with plenty of nods to films and culture.

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Asian cinema: Chinese films

Review | Dear You: nostalgic Teochew family drama is a surprise box office hit in China

Lan Hongchun’s film on love, loyalty and immigrant struggles is a sensation in China, with lead Li Sitong giving a career-making performance.

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Asian cinema: Hong Kong film

Review | Palimpsest: The Story of a Name – Mary Stephen’s riveting study of identity

Hong Kong-born director Mary Stephen’s documentary explores her obscure heritage against a background of colonialism and self-reinvention.

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Mary Stephen’s mother, Hilda Stephen, whose maiden name was Yick Chuk-kwan, in a still from Palimpsest: The Story of a Name.
American cinema

Review | Toy Story 5: Jessie takes on tech in Pixar’s flawed but enjoyable sequel

A tablet threatens to render the gang obsolete in Toy Story 5, which will charm children but is the first to not stand up to adult scrutiny.

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(From left) Bullseye, Jessie and Lilypad in a still from Toy Story 5 (category I), starring the voices of Tom Hanks, Tim Allen, Joan Cusack and Greta Lee. Andrew Stanton and Kenna Harris co-direct. Photo: Disney/Pixar
Asian cinema: Hong Kong film

Review | Dog Day Evening: Kafkaesque comedy reflects on a Hong Kong hostage incident

Inspired by a true story, Dog Day Evening explores the often infuriating world of customer hotlines and service cancellations.

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Asian cinema: Hong Kong film

Review | Beyond Hostage Crisis: Manila tragedy spawns misguided faith-based movie

This dramatisation of the 2010 Manila hostage crisis, in which eight Hongkongers died, fails to explore the tragedy in any depth.

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American cinema

Review | Disclosure Day: Steven Spielberg’s sci-fi thriller is a flawed but fun ride

Starring Emily Blunt, Josh O’Connor and Colin Firth, Disclosure Day starts well and features exciting set pieces, but the final act blows it.

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Emily Blunt as meteorologist Margaret Fairchild (left) and Josh O’Connor as cybersecurity expert Dr Daniel Kellner in a still from Disclosure Day (category IIA), directed by Steven Spielberg. Colin Firth co-stars.
Asian cinema: Hong Kong film

Review | The Furious: an instant classic if you like gory, bone-crunching violence

Generic, unfunny and emotionally hollow, The Furious will nevertheless delight those who simply want to watch people getting slaughtered.

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(From left) Joe Taslim, Yayan Ruhian and Xie Miao in a still from The Furious (category III, Mandarin, English, Thai), directed by Kenji Tanigaki. Yang Enyou co-stars.
American cinema

Review | Masters of the Universe: He-Man returns in a glorious nostalgia trip

Nicholas Galitzine stars as He-Man beside Idris Elba, Jared Leto and Camila Mendes in a film that shows the 1980s hero still has the power.

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American cinema

Review | Backrooms: A24’s liminal space horror is a stunning, disorienting debut

A bold horror tale directed by YouTube creator Kane Parsons, Backrooms was inspired by the popular Portal video games.

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Asian cinema: Chinese films

Review | Unexpected Courage: Rene Liu’s mid-40s career woman risks life over pregnancy

Rene Liu stars as a woman whose successful career is put on hold when she continues a risky pregnancy in this poorly conceived drama.

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Rene Liu (right) as relentless career woman Le-fu and Hsueh Shih-ling, her boyfriend 12 years her junior, in a still from Unexpected Courage (category IIA, Mandarin), directed by Shawn Yu.
European cinema

Review | The Voice of Hind Rajab: harrowing Gaza docudrama is vital cinema

Kaouther Ben Hania’s gripping docudrama about a young girl trapped in a car uses real voice recordings to help expose the brutal cost of war.

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Asian cinema: Japanese films

Review | The Samurai and the Prisoner: Kiyoshi Kurosawa back with feudal-era thriller

The veteran Japanese director’s new film with Masahiro Motoki as a besieged warlord is an intelligent, captivating spin on the samurai genre.

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American cinema

Review | Star Wars: The Mandalorian and Grogu plays like an extended TV episode

Star Wars fans may find The Mandalorian and Grogu an entertaining watch but it lacks real depth and feels more like a TV episode than a film.

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The Mandalorian (left, played by Pedro Pascal) and Grogu in a still from Star Wars: The Mandalorian and Grogu (category IIA), directed by Jon Favreau. Sigourney Weaver and Jeremy Allen White co-star. Photo: Lucasfilm Ltd
European cinema

Review | Bitter Christmas: Pedro Almodovar engrosses with his latest meta movie

A film within a film within a film, Bitter Christmas examines the relationship between life and cinema.

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Barbara Lennie (left) and Victoria Luengo in a still from Bitter Christmas.
European cinema

Review | Fjord: Sebastian Stan, Renate Reinsve anchor ice-cold child welfare drama

Fjord, set in a remote Norwegian village with stunning backdrops, explores a religious couple’s clash with Norway’s Child Protection Services.

Asian cinema: Korean films

Review | Hope: director Na Hong-jin of The Wailing fame returns with a monster mess

A promising beginning and strong performances are not enough to save Hope from being a messy spectacle with woeful CGI monsters.

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American cinema

Review | Paper Tiger: Adam Driver and Scarlett Johansson lead dark gangster movie

Director James Gray returns to his mob roots in this film about two brothers who fall foul of the Russian mafia in New York. Also stars Miles Teller.

(From left) Miles Teller, Adam Driver, Roman Engel, Gavin Goudey and Scarlett Johansson in a still from Paper Tiger. The film is directed by James Gray.
Asian cinema: Japanese films

Review | Sheep in the Box: Hirokazu Koreeda tackles grief in sci-fi drama

Hirokazu Koreeda’s Cannes entry probes grief, artificial intelligence and family bonds, but its subplots leave the film scattered.

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(From left) Daigo Yamamoto, Rimu Kuwaki and Haruka Ayase in a still from Sheep in the Box.
Asian cinema: Korean films

Review | Colony: Jun Ji-hyun returns in slick but empty zombie thriller

Jun Ji-hyun stars as a biotech professor battling bloodthirsty zombies in Train to Busan director Yeon Sang-ho’s new film.

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Asian cinema: Japanese films

Review | All of a Sudden: Ryusuke Hamaguchi wows with Paris-set drama

Starring Virginie Efira and Tao Okamoto, the three-hour movie on caregiving and capitalism is anchored by a profound bilingual conversation.

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