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Film reviews

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Film reviews
Hollywood blockbusters, local greats, European movies, Japanese and Korean dramas, animation, art house films, you can find them all here.
Nick Jonas (left) as former boy band member Danny and Paul Rudd as ex-rock star Rick in a still from Power Ballad (category IIB), directed by John Carney. Photo: David Cleary/Lionsgate
American cinema

Review | Power Ballad: Paul Rudd, Nick Jonas charm in feel-good music rights drama

This drama about the music industry, stardom and arguments over intellectual property is a fun story with solid performances from its leads.

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American cinema

Review | Minions & Monsters: a clever, self-aware homage to classic Hollywood

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Asian cinema: Chinese films

Review | Dear You: nostalgic Teochew family drama is a surprise box office hit in China

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Asian cinema: Hong Kong film

Review | Palimpsest: The Story of a Name – Mary Stephen’s riveting study of identity

Hong Kong-born director Mary Stephen’s documentary explores her obscure heritage against a background of colonialism and self-reinvention.

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Mary Stephen’s mother, Hilda Stephen, whose maiden name was Yick Chuk-kwan, in a still from Palimpsest: The Story of a Name.
American cinema

Review | Toy Story 5: Jessie takes on tech in Pixar’s flawed but enjoyable sequel

A tablet threatens to render the gang obsolete in Toy Story 5, which will charm children but is the first to not stand up to adult scrutiny.

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Asian cinema: Hong Kong film

Review | Dog Day Evening: Kafkaesque comedy reflects on a Hong Kong hostage incident

Inspired by a true story, Dog Day Evening explores the often infuriating world of customer hotlines and service cancellations.

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Asian cinema: Hong Kong film

Review | Beyond Hostage Crisis: Manila tragedy spawns misguided faith-based movie

This dramatisation of the 2010 Manila hostage crisis, in which eight Hongkongers died, fails to explore the tragedy in any depth.

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A still from Beyond Hostage Crisis (category IIB, Cantonese, English), directed by Tony Leung Hung and starring Chris Tong (first from right) and Zhang Yaodong (second from right). Sahronizam Noor and Fish Liew co-star.
American cinema

Review | Disclosure Day: Steven Spielberg’s sci-fi thriller is a flawed but fun ride

Starring Emily Blunt, Josh O’Connor and Colin Firth, Disclosure Day starts well and features exciting set pieces, but the final act blows it.

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Asian cinema: Hong Kong film

Review | The Furious: an instant classic if you like gory, bone-crunching violence

Generic, unfunny and emotionally hollow, The Furious will nevertheless delight those who simply want to watch people getting slaughtered.

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American cinema

Review | Masters of the Universe: He-Man returns in a glorious nostalgia trip

Nicholas Galitzine stars as He-Man beside Idris Elba, Jared Leto and Camila Mendes in a film that shows the 1980s hero still has the power.

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(From left) Idris Elba, Nicholas Galitzine and Camila Mendes in a still from Masters of the Universe (category: IIA), directed by Travis Knight and co-starring Jared Leto.
American cinema

Review | Backrooms: A24’s liminal space horror is a stunning, disorienting debut

A bold horror tale directed by YouTube creator Kane Parsons, Backrooms was inspired by the popular Portal video games.

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Chiwetel Ejiofor in a still from Backrooms (category IIB), directed by Kane Parsons. Renate Reinsve and Mark Duplass co-star.
Asian cinema: Chinese films

Review | Unexpected Courage: Rene Liu’s mid-40s career woman risks life over pregnancy

Rene Liu stars as a woman whose successful career is put on hold when she continues a risky pregnancy in this poorly conceived drama.

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European cinema

Review | The Voice of Hind Rajab: harrowing Gaza docudrama is vital cinema

Kaouther Ben Hania’s gripping docudrama about a young girl trapped in a car uses real voice recordings to help expose the brutal cost of war.

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Asian cinema: Japanese films

Review | The Samurai and the Prisoner: Kiyoshi Kurosawa back with feudal-era thriller

The veteran Japanese director’s new film with Masahiro Motoki as a besieged warlord is an intelligent, captivating spin on the samurai genre.

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(From left) Yuriko Yoshitaka, Masahiro Motoki and Ryota Miyadate in a still from The Samurai and the Prisoner.
American cinema

Review | Star Wars: The Mandalorian and Grogu plays like an extended TV episode

Star Wars fans may find The Mandalorian and Grogu an entertaining watch but it lacks real depth and feels more like a TV episode than a film.

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The Mandalorian (left, played by Pedro Pascal) and Grogu in a still from Star Wars: The Mandalorian and Grogu (category IIA), directed by Jon Favreau. Sigourney Weaver and Jeremy Allen White co-star. Photo: Lucasfilm Ltd
European cinema

Review | Bitter Christmas: Pedro Almodovar engrosses with his latest meta movie

A film within a film within a film, Bitter Christmas examines the relationship between life and cinema.

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European cinema

Review | Fjord: Sebastian Stan, Renate Reinsve anchor ice-cold child welfare drama

Fjord, set in a remote Norwegian village with stunning backdrops, explores a religious couple’s clash with Norway’s Child Protection Services.

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Asian cinema: Korean films

Review | Hope: director Na Hong-jin of The Wailing fame returns with a monster mess

A promising beginning and strong performances are not enough to save Hope from being a messy spectacle with woeful CGI monsters.

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Jung Ho-yeon (front) and Hwang Jung-min in a still from Hope.
American cinema

Review | Paper Tiger: Adam Driver and Scarlett Johansson lead dark gangster movie

Director James Gray returns to his mob roots in this film about two brothers who fall foul of the Russian mafia in New York. Also stars Miles Teller.

Asian cinema: Japanese films

Review | Sheep in the Box: Hirokazu Koreeda tackles grief in sci-fi drama

Hirokazu Koreeda’s Cannes entry probes grief, artificial intelligence and family bonds, but its subplots leave the film scattered.

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Asian cinema: Korean films

Review | Colony: Jun Ji-hyun returns in slick but empty zombie thriller

Jun Ji-hyun stars as a biotech professor battling bloodthirsty zombies in Train to Busan director Yeon Sang-ho’s new film.

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Jun Ji-hyun as biotech professor Kwon Se-jeong in a still from Colony (category IIB, Korean), directed by Yeon Sang-ho. Koo Kyo-hwan and Ji Chang-wook co-star.
Asian cinema: Japanese films

Review | All of a Sudden: Ryusuke Hamaguchi wows with Paris-set drama

Starring Virginie Efira and Tao Okamoto, the three-hour movie on caregiving and capitalism is anchored by a profound bilingual conversation.

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Tao Okamoto plays a Japanese theatre director in All of a Sudden. The Paris-set drama is directed by Ryusuke Hamaguchi.
Asian cinema

Review | Parallel Tales: Asghar Farhadi misfires with latest French excursion

This tale of voyeurism in Paris, starring Vincent Cassel, Virginie Efira and Isabelle Huppert, lacks any tension or romantic intrigue.

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Asian cinema: Japanese films

Review | Nagi Notes: Koji Fukada ponders the meaning of art in wartime

Featuring nuanced performances and beautiful camerawork, Nagi Notes asks what art should mean in the chaotic world we live in.

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Asian cinema: Chinese films

Review | A Man and a Woman: Hong Kong-set quarantine drama is a tough watch

Neighbouring hotel guests develop a relationship over the course of their 21-day quarantine in Hong Kong in Guan Hu’s pandemic-set drama.

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Ni Ni (left) and Huang Bo in a still from A Man and A Woman.
American cinema

Review | Mortal Kombat II: Karl Urban leads brainless, outdated action sequel

Little more than a series of cartoonish ultra-violent vignettes, Mortal Kombat II feels as antiquated as the amulet the characters chase.

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(From left) Ludi Lin as Liu Kang, Mehcad Brooks as Jackson “Jax” Briggs, Jessica McNamee as Sonya Blade and Karl Urban as Johnny Cage in a still from Mortal Kombat II (category III), directed by Simon McQuoid. Photo: Warner Bros
Asian cinema: Japanese films

Review | Milky Subway: The Galactic Limited Express is a riotous sci-fi anime ride

A 47-minute compilation of Yohei Kameyama’s animated series, Milky Subway provides more laughs and surprises than many feature-length films.

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European cinema

Review | Sound of Falling: Cannes Jury Prize winner is a beautiful tale of trauma

The lives of four women in different eras on one farm are intertwined with haunting narratives of trauma and liberation in Sound of Falling.

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