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Asian cinema: Chinese films

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Asian cinema: Chinese films
The latest news, analysis and opinion on Asian cinema: Chinese films. In-depth analysis, industry insights and expert opinion.
HIGHLIGHTS FROM
Zizi, a Chinese participant performing fire spinning at “Shambhala in Your Heart” festival. Photo: David Frazier

Chinese youths swap the rat race for fun and freedom at Thailand’s hippie Shambhala festival

At a hippie festival in northern Thailand, mainland Chinese youths are swapping involution for personal freedom.

Reading Time:9 minutes
The summit of Norman Foster’s HSBC Main Building in relief against The Peak, 1986. Photo: Ian Lambot

The building that rewrote architecture – 40 years ago

Reading Time:7 minutes
Stephen Buckle, from Aspect, a global landscape architecture company, says that the most successful way to strike a balance between commercial and design aspirations is to make ecologically minded greening the focal point of any project, including this, The Roof, a Shanghai lifestyle complex, designed in collaboration with French architect Jean Nouvel. Photo: Courtesy Aspect

From Hong Kong’s Taikoo Square to Seoul’s Gangnam forest and Chengdu’s Hyperlane, nature is reshaping Asia’s cities

Reading Time:7 minutes
Hintegro founder Keith Chan’s Sha Tin retreat. Photo: Keith Chan

An interior designer on finally designing for his own home

Reading Time:4 minutes
Innocent and Chihiro Mutanga on the rooftop of Chungking Mansions, in Tsim Sha Tsui, the spot where they got engaged. Photo: Tracy Wong

The cross-cultural love story that forms the heart of the Africa Centre

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New Zealand’s Dallas Seymour powers his way through the mud as his team faces Hong Kong at the 1992 Cathay Pacific-Hongkong Bank Invitation Sevens at Hong Kong Stadium. The All Blacks won, obviously. Photo: SCMP Archives

In pictures: 50 years of mud, sweat and beers at the Hong Kong Rugby Sevens

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MORE IN POSTMAG
Content from SCMP's Specialist Publications
Waise Lee Chi-hung in a still from The Big Heat (1988).
Asian cinema: Hong Kong film

Why these 1980s Hong Kong crime movies produced by Tsui Hark are hidden gems

The Big Heat and Gunmen, both released in 1988, are brutal action thrillers full of violence, brotherhood drama and intrigue.

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American cinema

How M. Butterfly subverted Western fantasies of Chinese femininity

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Asian cinema: Hong Kong film

Who will win at the Hong Kong Film Awards 2026? Our predictions

Chinese language cinema

What A Foggy Tale taught Will Or and 9m88 about Taiwan’s White Terror era

Will Or and Joanne Tang (9m88) reveal how their characters in A Foggy Tale inspired and moved them in different ways.

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Will Or (front) and Caitlin Fang in a still from A Foggy Tale. The historical drama co-starring 9m88, which is set during the early years of Taiwan’s White Terror period, won the best narrative film and best original screenplay gongs at the 2025 Golden Horse Awards.
Asian cinema: Hong Kong film

Why these 3 Hong Kong comedies from the 1970s and 80s became local favourites

Itchy Fingers, Pom Pom and Where’s Officer Tuba? were mainstream films that shone amid the proliferation of kung fu and action comedies.

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Hong Kong celebrities and icons

Profile | ‘Not pretty enough’? Joey Yung became a top Cantopop star anyway

From rejected teen singer to Cantopop legend, Joey Yung’s grit, voice and unwavering work ethic have outlasted her critics.

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Chinese language cinema

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

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Shen Teng in a still from Pegasus 3 (category IIA, Mandarin), directed by Han Han. Andrew Yin and Huang Jingyu co-star.
Chinese language cinema

How Gingle Wang went from clueless novice to one of Taiwan’s top young actresses

Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.

Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Chinese language cinema

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

A still from Night Bus (2019).
Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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Nicholas Tse in a still from Invisible Target (2007), directed by Benny Chan, whose 2000s films were a blend of classic stunts and modern action.
American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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Holly Valance (right) in a still from DOA: Dead or Alive (2006). Filmed in Hong Kong, mainland China and Thailand, it made just US$7.7 million on a US$30 million budget, and barely secured a release in America.
On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Tony Leung Chiu-wai in a still from Silent Friend.
Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol ‘Dodo’ Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

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Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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Angela Yuen as online gamer Summer in a still from Gamer Girls (category IIB, Cantonese), directed by Veronica Bassetto and Sophie Yang.
Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

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Lo Mang (left) in a still from Five Deadly Venoms, Chang Cheh’s 1978 film.
Editor's Letter

This week in PostMag: a focus on women in film, sport, science and life

For International Women’s Day, we look at women as wives and mistresses, as marine researchers, as athletes, and as battlers against perimenopause.

Asian cinema: Hong Kong film

Review | Girlfriends: Fish Liew and Jennifer Yu reunite for tender lesbian romance

Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.

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Asian cinema: Hong Kong film

Review | Ultimate Revenge: Hong Kong crime thriller is all brawn and no brains

Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.

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Alex Fong in a still from Ultimate Revenge.
Asian cinema: Hong Kong film

Love ‘A Better Tomorrow’? The Hong Kong director and film that inspired it

Patrick Lung Kong was known for films that imparted moral lessons. We look at ‘The Story of a Discharged Prisoner’ and ‘Teddy Girls’.

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The Hong Kong Film Archive of the Leisure and Cultural Services Department will commence another mini-showcase of “100 Must-See Hong Kong Movies” at North District Town Hall in November. Picture shows a film still of “A Better Tomorrow” (1986).
Hong Kong celebrities and icons

Profile | Why Michael Tse, Hong Kong actor behind Laughing Gor, is a lesson in resilience

Michael Tse’s journey from backup dancer to Young and Dangerous henchman to leading film and TV actor showcases his endurance and tenacity.

Chinese language cinema

Review | Scare Out: Zhang Yimou tackles national security in subpar Chinese spy thriller

A story of a mole inside a state security team in China, Scare Out is slickly executed but narratively muddled, and far from Zhang’s best.

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