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Richard James Havis

Why Jacob Cheung’s Cageman and Intimates became his most memorable films

In Cageman, Cheung leaned on social observations and light drama. In lesbian romance Intimates, he focused on romance, not sexual passion.

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The writer-director’s You Shoot, I Shoot (2001) and Men Suddenly in Black (2003) injected a dose of dark satire into a waning local industry.

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The two follow-ups to The One-Armed Swordsman are somewhat different to the original hit film but plenty of blood runs through all three.

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Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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‘Father and Son’ and ‘Ah Ying’, which both won best film at the Hong Kong Film Awards, are compelling neo-realist explorations of Hong Kong.

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Related Topics
WellnessAmerican cinemaAsian cinema: Hong Kong film