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Ryuichi Sakamoto, Yunchan Lim and others at the 54th Hong Kong Arts Festival

Tradition meets tech as stages both real and virtual host dance, music and immersive magic

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The Czech Republic’s National Theatre Brno will perform Tchaikovsky’s Eugene Onegin at the 54th Hong Kong Arts Festival. Photo: National Theatre Brno
Gavin Yeung

The kaleidoscopic Art Month has arrived in Hong Kong, with the bulk of the performing arts events taking place under the banner of the 54th Hong Kong Arts Festival. Running until March 30, the non-profit festival features more than 1,100 artists and 170 performances organised under the theme of peace, courage and resilience – a fitting foil for the times we find ourselves in.

The 2026 line-up doesn’t shy away from technology. The KAGAMI experience is the most eagerly anticipated headline act, thanks to its mixed-reality performance featuring the late Ryuichi Sakamoto. Through the use of hi-tech headsets, audiences are invited into a virtual concert hall to witness the famed Japanese composer perform on a baby grand. It is a poignant, high-fidelity encounter that serves as both a technical feat and a deeply personal tribute to a master of minimalist composition.
Aristophanes’ Lysistrata is an original Chinese-language adaptation of the Greek comedy. Photo: Yunna Wang/Shanghai Dramatic Arts Centre
Aristophanes’ Lysistrata is an original Chinese-language adaptation of the Greek comedy. Photo: Yunna Wang/Shanghai Dramatic Arts Centre
For those whose tastes remain firmly in the acoustic realm, the National Theatre Brno brings a robust Czech sensibility to Tchaikovsky’s Eugene Onegin. Then there’s the young South Korean pianist Yunchan Lim, who provides a glimpse of the future of classical music upon his return to Hong Kong – Lim’s reputation for technical clarity and emotional maturity makes this one of the most anticipated recitals of the season.
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Also not to be missed is Aristophanes’ Lysistrata, an original Chinese-language adaptation of the Greek comedy that remains pointedly relevant in its exploration of gender and conflict. Meanwhile, Québécois collective The 7 Fingers presents Duel Reality, a Shakespearean take on the circus arts that replaces spectacle with nuanced storytelling and acrobatic precision.

Li Xing’s Dream in The Peony Pavilion reimagines the Ming dynasty classic. Photo: Handout
Li Xing’s Dream in The Peony Pavilion reimagines the Ming dynasty classic. Photo: Handout

Beyond the proscenium arch, the Festival PLUS programme seeks to integrate the arts into the fabric of the city. Guided walks through the literary history of Sheung Wan and visits to Hong Kong’s remaining fishing communities offer a grounded counterpoint to the international stage shows.

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