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Asian cinema: Hong Kong film
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From Seven Swords to Sword Master, how Chinese wuxia films got an update in 21st century

Sword-fighting films were popular in the 1960s and 1990s. Tsui Hark and Derek Yee were among directors who reinvented the genre this century

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Donnie Yen in a still from Seven Swords, Tsui Hark’s 2005 sword-fighting epic and one of three notable wuxia films shot this century. Photo: Handout
Richard James Havis

Wuxia films ruled Hong Kong cinema in the 1960s, and saw another burst of success during the 1990s.

The 21st century has seen its fair share of effects-laden wuxia films, especially in mainland China, where fantasy sword-fighting movies are often made for streaming services.

Can today’s sword-fighting films live up to the classics of yesteryear? We look back at three high-profile wuxia films made this century.

1. Seven Swords (2005)

How does it measure up? A different kind of wuxia, but very good on its own terms.

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Tsui Hark’s grand sword-fighting epic unspools more like a classic American Western than a wuxia film.

Gone are the Confucian codes of the martial arts world, replaced by outright brutality and a survivalist mentality that has more in common with revisionist Westerns like Sam Peckinpah’s The Wild Bunch than Shaw Brothers classics.

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This is in spite of featuring Lau Kar-leung, the legendary director, actor and choreographer who brought those codes into martial arts films, in a leading role.
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