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Enid Tsui
Editor, Arts
Enid Tsui is the Post's Arts Editor. Her previous positions include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a finance magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" was published in January 2025.
Enid Tsui is the Post's Arts Editor. Her previous positions include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a finance magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" was published in January 2025.
Areas of Expertise:
Visual art and the performing arts in Asia; art history; art market; cultural policies
Languages Spoken:
Cantonese, English, Mandarin
Hong Kong Performing Arts Expo’s co-director Anne Chan talks about slashed entry fees and fresh acts ahead of October’s HK$40 million event.
Artistic director Cheng Tsung-lung shares why movement is vital in the AI era ahead of the troupe’s first performance in Hong Kong since 2019.
During an open studio weekend, the artists are absorbed in making new works that draw inspiration from the surrounding natural landscape.
Black rain couldn’t dampen the mood at ‘Offline Memories’ at Eaton HK, where art and printed images evoke human connections in a bygone era.
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Alice Yeung’s Time (in-)Linear, featuring harmonica virtuoso CY Leo and pianist Daniel Chu, is possibly the first of its kind in the world.
The exhibitions of James Turrell (at Gagosian) and Dan Flavin (David Zwirner) offer an intriguing dialogue on light as a physical material.
From the Charlie and the Chocolate Factory musical to a show from Taiwanese dance company Cloud Gate, there’s lots on from now until December.
Li Yi-fan, a video artist from Taiwan, is making waves with his creepy and funny avatars that question the way we see the world around us.
Gustavo Dudamel’s successor, who is an Air France pilot and mentor to young musicians, has agreed to a six-year contract with the LA Phil.
The Hong Kong-born conductor shares why she’s excited to lead the ‘velvety, warm’ SFS and how San Francisco feels ‘a bit like’ her home city.
Rising maestro emerged as a surprise choice and will begin her six-year term at the famed orchestra in September 2027.
Using everything from baby dolls to tapestries, Asian artists’ perspectives are strongly reflected in a number of memorable exhibitions.
Len Karamoy, a leader of an Indonesian rebel movement, is the focus of Natasha Tontey’s video installation at the 2026 Venice Biennale.
The theme of the Biennale was to slow down enough to hear ignored voices, but Hong Kong’s pavilion might have taken things too far.
The Tang Chang Private Museum opens on May 1 as the Bangkok-born artist’s family aims to show the world his work before it’s too late.
‘White glove’ sales at Christie’s and Sotheby’s March Hong Kong auctions are cause for optimism, but must be put into perspective.
Shahzia Sikander’s video work offers a deep rumination on time and historic cycles as Hong Kong stands at a profound crossroads.
Two Hong Kong queer female artists explore fantasy and reality in exhibitions that challenge norms and reflect on identity and migration.
Flight cancellations via the region leave art fair participants juggling logistics, though organisers say impact remains limited.
The ever-expanding list of art week happenings can be daunting, so we have narrowed it down to a hand-picked list of must-sees.
Rong Museum of Art, a flower-like structure within the M80 Campus in Shenzhen’s Houhai district, will open in 2027.
The new Para Site executive director talks about his plans to make contemporary art accessible in Hong Kong, censorship and more.
‘Trust’ author Hernan Diaz talks about his lauded 1920s New York-set novel and architectural power symbols on his first visit to Hong Kong.
Cross-cultural and gender-blind, Sebastian Kaiser’s stage adaptation of Liu Yichang’s 1962 novel stays true to its rebellious spirit.
Hong Kong’s ‘art week’ in March unveils a series of exciting initiatives, from edible art fairs and open-air exhibitions to tours.
Showing in Hong Kong, Trump on Show 4.0 combines political satire and surreal Sino-US commentary but feels like a ‘paper tiger’ with no bite.
Hong Kong artists Angel Hui and Kingsley Ng turn the ubiquitous plastic bag for pet fish and metal windows into art for the Venice Biennale.
‘A Day’ by Zhang Peili is a 12-minute, 360-degree visual onslaught meant to resemble the interior of our own social-media-saturated minds.
Pavilion offers a slower alternative to the ‘hyper-accelerated pace’ of Asia’s big contemporary art fairs, says one of its co-founders.
