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Malaysia
This Week in AsiaPeople

Malaysia’s monarchy charts a new course amid political flux

Unstable coalitions have created greater room for the country’s royal institutions to influence government formation, observers say

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Malaysia’s King Sultan Ibrahim Sultan Iskandar salutes the guard of honour at the National Palace in Kuala Lumpur on January 31, 2024. Photo: EPA-EFE
The National Palace in Kuala Lumpur, Malaysia, in 2021. Photo: Xinhua
Malaysia’s King Sultan Ibrahim Iskandar (left) lunches with Prime Minister Anwar Ibrahim in Johor. Photo: Facebook/anwaribrahimofficial
Malaysia’s King Sultan Abdullah Sultan Ahmad Shah and Queen Tunku Azizah Aminah Maimunah Iskandariah at Westminster Abbey in London, Britain, in May 2023. Photo: Reuters
Ushar DanieleandIman Muttaqin Yusof
When Malaysian artist Darwisy Mustafani received a commission to paint the country’s king and queen, he did not reach for an ordinary canvas.

Instead, the 25-year-old from the northeastern city of Kota Bharu transformed songket – the lustrous handwoven fabric once reserved for Malay courts and ceremonial dress – into a portrait of the sultan and his wife before a golden-domed palace.

The portrait, commissioned in 2024 by Malaysia’s police force as a gift for Sultan Ibrahim Iskandar and Queen Raja Zarith Sofiah, opened a door Darwisy had never expected. Further royal commissions followed, including work linked to other Malaysian palaces and Brunei’s royal household.

“My focus has never been about painting royal figures simply because they are royal,” he told This Week in Asia. “I never planned for my work to become closely associated with royalty, but I’m grateful that it has opened the door for me to share Malaysian culture with a wider audience.”

On TikTok, viewers watch Darwisy layer paint over woven gold thread, gradually revealing royal faces against patterns that carry centuries of courtly history. Many of those following the process are young Malaysians encountering the monarchy not through a constitutional textbook or palace ceremony, but through an algorithm.

“They first discover my work because they enjoy watching the creative process,” he said. “Then they become curious about the story behind the artwork and the cultural meaning of the materials.”

That curiosity is growing at a moment when Malaysia’s royal institutions have become increasingly visible far beyond ceremonial life.

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