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Film reviews

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Film reviews
Hollywood blockbusters, local greats, European movies, Japanese and Korean dramas, animation, art house films, you can find them all here.
(From left) Idris Elba, Nicholas Galitzine and Camila Mendes in a still from Masters of the Universe (category: IIA), directed by Travis Knight and co-starring Jared Leto.
American cinema

Review | Masters of the Universe: He-Man returns in a glorious nostalgia trip

Nicholas Galitzine stars as He-Man beside Idris Elba, Jared Leto and Camila Mendes in a film that shows the 1980s hero still has the power.

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American cinema

Review | Backrooms: A24’s liminal space horror is a stunning, disorienting debut

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Asian cinema: Chinese films

Review | Unexpected Courage: Rene Liu’s mid-40s career woman risks life over pregnancy

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European cinema

Review | The Voice of Hind Rajab: harrowing Gaza docudrama is vital cinema

Kaouther Ben Hania’s gripping docudrama about a young girl trapped in a car uses real voice recordings to help expose the brutal cost of war.

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Saja Kilani in a still from The Voice of Hind Rajab.
Asian cinema: Japanese films

Review | The Samurai and the Prisoner: Kiyoshi Kurosawa back with feudal-era thriller

The veteran Japanese director’s new film with Masahiro Motoki as a besieged warlord is an intelligent, captivating spin on the samurai genre.

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American cinema

Review | Star Wars: The Mandalorian and Grogu plays like an extended TV episode

Star Wars fans may find The Mandalorian and Grogu an entertaining watch but it lacks real depth and feels more like a TV episode than a film.

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European cinema

Review | Bitter Christmas: Pedro Almodovar engrosses with his latest meta movie

A film within a film within a film, Bitter Christmas examines the relationship between life and cinema.

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Barbara Lennie (left) and Victoria Luengo in a still from Bitter Christmas.
European cinema

Review | Fjord: Sebastian Stan, Renate Reinsve anchor ice-cold child welfare drama

Fjord, set in a remote Norwegian village with stunning backdrops, explores a religious couple’s clash with Norway’s Child Protection Services.

Asian cinema: Korean films

Review | Hope: director Na Hong-jin of The Wailing fame returns with a monster mess

A promising beginning and strong performances are not enough to save Hope from being a messy spectacle with woeful CGI monsters.

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American cinema

Review | Paper Tiger: Adam Driver and Scarlett Johansson lead dark gangster movie

Director James Gray returns to his mob roots in this film about two brothers who fall foul of the Russian mafia in New York. Also stars Miles Teller.

(From left) Miles Teller, Adam Driver, Roman Engel, Gavin Goudey and Scarlett Johansson in a still from Paper Tiger. The film is directed by James Gray.
Asian cinema: Japanese films

Review | Sheep in the Box: Hirokazu Koreeda tackles grief in sci-fi drama

Hirokazu Koreeda’s Cannes entry probes grief, artificial intelligence and family bonds, but its subplots leave the film scattered.

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(From left) Daigo Yamamoto, Rimu Kuwaki and Haruka Ayase in a still from Sheep in the Box.
Asian cinema: Korean films

Review | Colony: Jun Ji-hyun returns in slick but empty zombie thriller

Jun Ji-hyun stars as a biotech professor battling bloodthirsty zombies in Train to Busan director Yeon Sang-ho’s new film.

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Asian cinema: Japanese films

Review | All of a Sudden: Ryusuke Hamaguchi wows with Paris-set drama

Starring Virginie Efira and Tao Okamoto, the three-hour movie on caregiving and capitalism is anchored by a profound bilingual conversation.

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Asian cinema

Review | Parallel Tales: Asghar Farhadi misfires with latest French excursion

This tale of voyeurism in Paris, starring Vincent Cassel, Virginie Efira and Isabelle Huppert, lacks any tension or romantic intrigue.

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Isabelle Huppert as Sylvie (left) and Adam Bessa as Adam in a still from Parallel Tales, directed by Asghar Farhadi.
Asian cinema: Japanese films

Review | Nagi Notes: Koji Fukada ponders the meaning of art in wartime

Featuring nuanced performances and beautiful camerawork, Nagi Notes asks what art should mean in the chaotic world we live in.

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Takako Matsu as the sculptor Yoriko (front) and Shizuka Ishibashi as her model in a still from Nagi Notes, which played in the 2026 Cannes Film Festival’s main competition.
Asian cinema: Chinese films

Review | A Man and a Woman: Hong Kong-set quarantine drama is a tough watch

Neighbouring hotel guests develop a relationship over the course of their 21-day quarantine in Hong Kong in Guan Hu’s pandemic-set drama.

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American cinema

Review | Mortal Kombat II: Karl Urban leads brainless, outdated action sequel

Little more than a series of cartoonish ultra-violent vignettes, Mortal Kombat II feels as antiquated as the amulet the characters chase.

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Asian cinema: Japanese films

Review | Milky Subway: The Galactic Limited Express is a riotous sci-fi anime ride

A 47-minute compilation of Yohei Kameyama’s animated series, Milky Subway provides more laughs and surprises than many feature-length films.

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A still from the animated film Milky Subway: The Galactic Limited Express (category IIA; Japanese), directed by Yohei Kameyama.
European cinema

Review | Sound of Falling: Cannes Jury Prize winner is a beautiful tale of trauma

The lives of four women in different eras on one farm are intertwined with haunting narratives of trauma and liberation in Sound of Falling.

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American cinema

Review | The Devil Wears Prada 2: iconic fashion comedy gets a slick but muted update

The Devil Wears Prada 2 tackles journalism’s digital shift and changes within the fashion industry since the first film came out in 2006.

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Asian cinema: Hong Kong film

Review | Cold War 1994: Hong Kong crime thriller prequel is a star-studded blast

Terrance Lau leads this unrealistic but fun 1990s-set actioner that’s stuffed with stars including Aaron Kwok, Chow Yun-fat and Louis Koo.

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Louise Wong and Terrance Lau in a still from Cold War 1994 (category: IIB, Cantonese, English), directed by Longman Leung and co-starring Daniel Wu and Tse Kwan-ho.
American cinema

Review | Michael: ‘King of Pop’ biopic features all the hits, none of the controversy

While the film is packed with great performances, it is an utterly sanitised view of Michael Jackson’s life and the allegations he faced.

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Jaafar Jackson as Michael Jackson in a still from Michael (category IIA), directed by Antoine Fuqua. Juliano Krue Valdi and Colman Domingo co-star. Photo: Glen Wilson/Lionsgate
European cinema

Review | Arco: Annecy winner is a charming Peter Pan-esque sci-fi fable for our times

Featuring voices including Natalie Portman and Mark Ruffalo, Ugo Bienvenu’s directorial debut Arco delivers a powerful ecological message.

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Asian cinema: Chinese films

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

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Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
American cinema

Review | The Super Mario Galaxy Movie: Nintendo sequel looks great but lacks laughs

Donald Glover, Brie Larson and Benny Safdie join the cast in this sequel to 2023’s hugely successful The Super Mario Bros Movie.

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(From left) Yoshi (voiced by Donald Glover), Mario (Chris Pratt) and Luigi (Charlie Day) in a screen grab from The Super Mario Galaxy Movie (category 1), directed by Aaron Horvath and Michael Jelenic.
Asian cinema: Korean films

Review | Humint: dynamic Korean spy thriller from Ryoo Seung-wan on Netflix

Starring Zo In-sung, Park Jeong-min and Park Hae-joon, Humint rewards patient viewers with some of the best heroic bloodshed in recent times.

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American cinema

Review | They Will Kill You: Zazie Beetz leads a delicious slice of midnight madness

They Will Kill You delivers dark comic madness, with Zazie Beetz taking a magnetic turn as an ex-con battling satanic elites in New York.

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