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Art Basel Hong Kong previews open today: here are 9 artists to look out for

From Kazakh warrior sculptures to speculative films by Andrew Thomas Huang and Ayoung Kim, these are the artworks defining this year’s programme

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The Deer of Nine Colors by Andrew Thomas Huang. Photo: Handout
Aaina Bhargava
Art Basel Hong Kong remains the leading fair and art event in Asia when it comes to discovering prominent, established and upcoming artists, particularly those who are from Asia or its diaspora. With the new sector, Echoes, featuring curated presentations by three artists or collectives as well as the Asia debut of Zero 10 dedicated to digital art, here is our selection of artists to look out for at the forthcoming fair.

Aya Shalkar and Uuriintuya Dagvasambuu

Aya Shalkar with her sculpture Umaibata (Great Mother’s Blessing). Photo: Handout
Aya Shalkar with her sculpture Umaibata (Great Mother’s Blessing). Photo: Handout

Art from Central Asia has been making its presence felt on the global art stage. Hong Kong’s Chat held a landmark show in 2023: “Clouds, Power and Ornament – Roving Central Asia” was the first exhibition on Central Asian textile art in Greater China, introducing local audiences to the region. The debut of the highly acclaimed Bukhara Biennale in Uzbekistan last autumn also brought the work of many of the artists practising in the region to the fore. New York-based Sapar Contemporary is presenting the work of Kazakh artist Aya Shalkar and Mongolian artist Uuriintuya Dagvasambuu. Both engage with themes of strong feminine characters across ancient civilisations, and cultural traditions of shamanic Tengri in Kazakhstan, Mongol nomads, Tibetan Buddhism and Islam.

Guardian of the Dream by Uuriintuya Dagvasambuu. Photo: Handout
Guardian of the Dream by Uuriintuya Dagvasambuu. Photo: Handout

Typically addressing cultural identity and gender roles through sculptures, Shalkar utilises speculative fiction and archaeology to visualise stories of female warriors and other mythical beings, as told during the Peri civilisations. Her sculptures are often produced in collaboration with local Kazakh artists and incorporate steel, natural bone, brass and rope. Dagvasambuu puts a surrealist twist on Mongol Zurag painting and Buddhist iconography to depict contemporary versions of female warriors, such as mothers and migrant women, chronicling their everyday lives in her post-nomadic homeland.

Amba Sayal-Bennett

Amba Sayal-Bennett in the studio. Photo: Ryan O’Toole Collett
Amba Sayal-Bennett in the studio. Photo: Ryan O’Toole Collett
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