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Laid-back Oman is a land of sunlit forts, pink cliffs and vibrant coastal life

The Omani capital of Muscat wears its history well, but traditional boatbuilding and desert castles may tempt visitors into a road trip through the sleepy Gulf nation

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The Sultan Qaboos Grand Mosque in Muscat, Oman, boasts Moroccan and Iranian design influences. Photo: Peter Neville-Hadley

Talk of travel to the Persian Gulf usually revolves around the newly opening Saudi Arabia and neighbouring pinprick emirates, the former because there’s nothing like being long closed to tourism to inspire curiosity, the latter for their theme-park atmosphere and architectural bling.

But on a recent visit, Oman proves to be something quite different.
Big, yet seemingly a backwater, it occupies 310,000 sq km on the eastern tip of the Arabian Peninsula, where a relatively verdant date- and grape-growing plain looks towards Iran, across the Gulf of Oman. This is separated by the Hajar Mountains from the Rub’ al-Khali, or Empty Quarter, the largest area of continuous open sand in the world, stretching away into Saudi Arabia and the United Arab Emirates.
Yachts moored in the quiet harbour below Mutrah Fort. Photo: Peter Neville-Hadley
Yachts moored in the quiet harbour below Mutrah Fort. Photo: Peter Neville-Hadley

Relatively easy-going Oman is where expats working in the region come for a break from the still conservative Saudi Arabia and the relentless pace of Dubai. The skylines are far lower, the pace far slower and the streets far quieter. There is a sense that traditional Arabia has been partly preserved here, even as the country slowly modernises.

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Oman snoozed its way into the 20th century until a 1970 palace coup in which the Sandhurst-educated Sultan Qaboos bin Said (1940-2020) overthrew his father. He began a modernisation of the isolationist state, but the nearest thing to anything architecturally grandiose built in the years since is the capital Muscat’s five-minaret Jami As-Sultan Qaboos (Sultan Qaboos Grand Mosque), one slender spire soaring to more than 90 metres.

With its design incorporating Moroccan and Iranian influences, the mosque – the largest in Oman – opened in 2001. Sober courtyards, with their greenery and fountains, are made from dusky Indian sandstone and white Italian marble, symbolising Oman’s deserts and mountains, its arches carved with elegant calligraphy. Dizzying interiors bear Koranic texts in gold leaf between decorated panels, a vast crystal chandelier beneath an intricately patterned dome and a sea of handmade carpet so vast it took four years to make.
The Sultan Qaboos Grand Mosque, in Muscat, is Oman’s largest. Photo: Peter Neville-Hadley
The Sultan Qaboos Grand Mosque, in Muscat, is Oman’s largest. Photo: Peter Neville-Hadley

As in many other autocracies, tourism is partly used to convey positive messages, and mosque guides say much about religious tolerance and respect for women in society. It is intended that visitors should understand that Sultan Qaboos, for whom the mosque is also named, was the fount of all goodness. He was also behind the conception of the National Museum of Oman.

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