Advertisement
PostMag
Life.Culture.Discovery.
Christmas
PostMagCulture

How Hong Kong’s famous Christmas decorations came to life, as told by one of their creators

One of the city’s most prolific festive light designers recalls his career spent illuminating the Hong Kong skyline

Reading Time:4 minutes
Why you can trust SCMP
Christmas lights on Chater Road, Central, Hong Kong, in 1981. Photo: SCMP Archives
Billy Potts

It was December 1990 and I was four years old. Hong Kong then got much colder than it does today, but standing to my mother’s right as we took in the Christmas lights, my younger brother to her left, the cold seemed to melt away. Wide-eyed and clutching my mother’s hand, I gazed upon the illuminated towers and parapets of a snow-white castle. Angels perched on the battlements, haloes aglow. Fairy lights festooned the winter scene on the waterfront by Harbour City, in Tsim Sha Tsui.

Hong Kong’s ascent was written in Christmas lights. Mirroring the emergence of a booming economy and a burgeoning middle class, the annual citywide illuminations have marked a tradition for many families in the former British colony since the 1950s. Our own family’s ritual had begun in the 60s, when my mother, Clara Chung Lo-ling, was brought by her father to see the lights in Central. Her voice still trails off in a reverie when she recalls the excitement of the occasion. “Everyone was happy and turned out in their best clothes,” she says. “It was beautiful.”
Despite the rain, crowds throng Tsim Sha Tsui East on Christmas Eve in 1994 to see the festive decorations. Photo: Dickson Lee
Despite the rain, crowds throng Tsim Sha Tsui East on Christmas Eve in 1994 to see the festive decorations. Photo: Dickson Lee

My mother carried these memories and traditions with her, growing up alongside Hong Kong as it flourished from a manufacturing hub to a financial powerhouse. She herself would become part of that meteoric rise, joining the property sector just as Victorian buildings were giving way to the first skyscrapers.

Advertisement

In Hong Kong, traditions are often intertwined with commerce, and the property sector has always been behind the Christmas lights that shine so vividly in the city’s consciousness. While the displays would capture the attention of the city, those responsible for designing and building them often operated unseen by the public.

Hong Kong’s HSBC building is beautifully decorated to celebrate Christmas in 1977. Photo: SCMP Archives
Hong Kong’s HSBC building is beautifully decorated to celebrate Christmas in 1977. Photo: SCMP Archives
Among the most prolific of these lighting designers was Ko Cham-yuk. Born in 1951, Ko remembers observing the installation of elaborately hand-painted cinema billboards as a child. Until the mid-90s, these were the norm in Hong Kong, the deft brushstrokes of talented tradesmen capturing the magic in an actor’s eyes and freeze-framing the high-flying kicks of kung fu heroes – works of art befitting the glamour of a trip to the movies. Ko, spellbound, set his heart on joining those artists.
Advertisement

At the time, Ko was working as a washing machine and air-conditioning repairman, but began his set design career in earnest in the late 60s with an apprenticeship at Peacock, one of only a few companies that did such work. He toiled under the gaze of his master, Lau Wai-tong, who is still well known today for having designed the iconic poster for the Hong Kong release of Bruce Lee’s 1973 film Enter the Dragon.

Advertisement
Select Voice
Choose your listening speed
Get through articles 2x faster
1.25x
250 WPM
Slow
Average
Fast
1.25x