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Editor's Letter
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This week in PostMag: racing at Le Mans, a healthy obsession with cheese and a drop of Bordeaux

Sample Jeremy Evrard’s dairy delights, get behind the wheel at the 24 Hours of Le Mans, meet an iconic Hong Kong architect and see what’s new in Bordeaux wines

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Former racer Matthew Marsh takes us trackside at the 24 Hours of Le Mans in this week’s edition. Photo: Adam Warner/Rolex
Cat Nelson

A cheese omakase shouldn’t work. Or at least that’s what I told myself as I sat down in the polished back room of Roucou, Jeremy Evrard’s exuberant new restaurant-slash-love-letter to dairy. Course after course of … cheese? Surely that’s a recipe for indigestion, even for the lactose tolerant. But then came a thick smear of Brillat-Savarin wrapped in nori and topped with caviar. Next, a tower of Parmigiano Reggiano crisps with herring and a whisper of lemon. Then a savoury shellfish bisque with uni and halibut, showered in Beaufort d’Alpage. And yes – this one surprised me most of all – creamy Camembert sidled in next to a slab of toro seared with a charcoal stick. It was delicious. I might have walked in a cynic, but I left a convert.

So I was happy to read more about what kick-started Evrard’s passion in My Obsession, our new column about collectors and their beloved ephemera. It turns out his love of cheese began, like many great passions, with something deeply uncool: a childhood hoard of Laughing Cow labels. He has more than a thousand now, many tucked into drawers at home, some finding new life at Roucou as hand-scrawled menus or little gifts for diners to take away. Like his restaurant, it’s charming and a little eccentric – which is to say, completely delightful.
In our cover feature, former racer Matthew Marsh takes us trackside at the 24 Hours of Le Mans, where two Hong Kong drivers joined one of motorsport’s most gruelling races. There’s no glamorising here – just the brutal choreography of a race that starts in daylight and finishes – if you’re lucky – a day and 5,200km later. Marsh captures the madness and muscle of it all, from the Tricolore flag drop to crowds buzzing well past midnight.
Back in Hong Kong, Fionnuala McHugh speaks with Rocco Yim Sen-kee, the architect responsible for some of the city’s most iconic spaces, about his new monograph, Looking to Hong Kong. Yim is softly spoken, allergic to hype and utterly unmistakable in a portfolio packed with malls, cultural landmarks and government buildings. Whether you know it or not, you’ve walked through his ideas.
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