Advertisement
PostMag
Life.Culture.Discovery.

Q&A | Bouie Choi blends nostalgia and nature at Art Basel Hong Kong

Choi’s intricate paintings on reclaimed wood are inspired by folk legends and scenes of Hong Kong as well as the artist’s childhood memories

Reading Time:5 minutes
Why you can trust SCMP
Bouie Choi in her studio at the Jockey Club Creative Arts Centre, in Shek Kip Mei. Photo: Jocelyn Tam
Artist Bouie Choi Yuk-kuen is in the midst of a creative dilemma when I arrive at her studio, tucked away on the eighth floor of the Jockey Club Creative Arts Centre in Shek Kip Mei.

“I can’t decide what to do with this now,” Choi says, referring to a large wooden panel upon which she has etched the image of a bird. “It’s a black-faced spoonbill, a migratory bird that’s found in Hong Kong and a few other places. It was inspired by a childhood memory – in primary school I once dressed up as a bird for a school play, and it was actually televised on a local channel.”

Memories fuel Choi’s intricate, nostalgic, imagery-filled paintings on reclaimed wood that are the result of deep introspection and a painstaking process. Carefully chiselled scenes of Hong Kong’s coastal vistas and skylines, quirky iconographies and episodes from folk legends find their way into her work. Preservation is at the centre of the artist’s intention and art – both materially, in reusing wood, and conceptually, through foregrounding memories, old tales and ideas.
Advertisement

Choi’s studio is homely, soothing and earthy, reflecting the sentiments and aesthetics her works evoke. Plants, crystals, rocks and the warming tones of wood permeate the space, while her sketches and artworks hang on the wall.

A slice of wood from Bouie Choi’s postcard project, which saw her send hand-painted postcards while overseas. Photo: Jocelyn Tam
A slice of wood from Bouie Choi’s postcard project, which saw her send hand-painted postcards while overseas. Photo: Jocelyn Tam

A particularly pleasing view greets Choi as she sits at her desk: one of her signature hexagonal paintings alongside four wooden slabs that increase incrementally in height hanging above a wooden bench made from an old Kowloon church pew. In a sectioned-off room nearby, various tools and materials – sand paper, buckets and sprays – are scattered on the floor where the artist performs her heavier duty tasks.

Advertisement
Another large wooden panel hangs on the same wall, and appears to be nearer completion than the work with the bird. On it is painted a monk, sitting under what could be an umbrella or a lamp, from which a hand emerges, pointing a finger. Playful details, such as a small monkey sitting on a table, appear on the right-hand side, visible through tinges of red paint. Choi has yet to name this work, which was inspired by a scene from Journey to the West, the 16th century novel by Wu Cheng’en. After a minute she says, “I’m going to call it Under the Table.
Advertisement
Select Voice
Choose your listening speed
Get through articles 2x faster
1.25x
250 WPM
Slow
Average
Fast
1.25x