Advertisement

Huang Yongyu showed his ‘relaxed’ side in a new docu-film by the Chinese artist’s close friend, Hong Kong director Yonfan

Hong Kong director and photographer Yonfan is finally getting the recognition he deserves, with mainland censors deeming his Crossing Years docu about the late artist fit for the public

Reading Time:4 minutes
Why you can trust SCMP
Hong Kong Director and writer Yonfan, holds the award for Best Screenplay for the film No. 7 Cherry Lane at the closing ceremony of the Venice Film Festival in 2019. Photo: AP

Now in its eighth year, the Pingyao Crouching Tiger Hidden Dragon International Film Festival (PYIFF) has built a reputation for eclectic offerings.

Advertisement
Led by film scholar Lin Xudong, this year’s festival showcased the latest foreign art films toured in Cannes, Berlin and Venice, along with Chinese indies and unconventional documentaries, which, over the last week of September, included an offering from Hong Kong filmmaker and photographer Yonfan.
Huang Yongyu and Yonfan in a film still from Crossing Years. Photo: Far-Sun Film Company
Huang Yongyu and Yonfan in a film still from Crossing Years. Photo: Far-Sun Film Company

This year marks Yonfan’s first showcase at PYIFF, where he presented Crossing Years, a home-video-style documentary featuring himself and acclaimed self-taught artist Huang Yongyu, in conversation on Lunar New Year’s Eve in 2012.

Huang, who died last year aged 98, was a towering figure in contemporary Chinese art, known for his work as a painter, sculptor and writer. Born in Hunan province in 1924, he lived in Hong Kong as a young man, hosting numerous exhibitions before returning to the mainland in 1952, to teach at Beijing’s Central Academy of Fine Arts.

Huang Yongyu in front of his painting Fish during a press conference at Times Square in Hong Kong, in 2007. Photo: SCMP
Huang Yongyu in front of his painting Fish during a press conference at Times Square in Hong Kong, in 2007. Photo: SCMP

The 90-minute documentary begins with Yonfan and his executive director, Lee Yat Fung, driving into Huang’s courtyard in Beijing. Once inside Huang’s home, the casual yet insightful conversation that gradually unfolds reveals how the two artists became lifelong friends.

Advertisement
Advertisement