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Inside the Hong Kong house with columns like tree trunks and a canopy for a ceiling

This capacious home for a multigenerational family that likes to entertain is extravagant yet rooted in nature

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The dining room in the house in Tai Po, Hong Kong, designed by Seehow Design. Photo: Jason To / Black Cat Image
Peta Tomlinson

It may not be immediately obvious, given the opulence of this multi-generational, two-storey home in the New Territories, but when asked to infuse a contemporary aesthetic into its interiors, designer Hoffman Ho Sai-cheung took inspiration from the surrounding landscape.

Ho, the co-founder, with Elaine Tang Yee-ni, of Seehow Design, was especially captivated by the trees lining the hillside behind the 3,000 sq ft, free-standing house in a private residential development.

“We envisaged a theme of natural elements, focusing on sustainability in materials and technical systems,” says Ho, adding that quality rather than luxury was the intent.

The kitchen. Photo: Jason To / Black Cat Image
The kitchen. Photo: Jason To / Black Cat Image

The layout features four bedrooms and four bathrooms plus a guest powder room. The grandparents’ suite is on the ground floor, while the others are on the level above. A double-height void connects the two floors, allowing light from large windows to permeate the home and enhance the airiness of its expansive rooms.

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As his design concept took shape, Ho proposed that most loose furniture be by Boca do Lobo, a Portuguese brand known for its contemporary reinterpretations of traditional craftsmanship. Though he had used several of the brand’s pieces before, he knew that furnishing an entire house demanded a deeper look, so he visited Portugal to tour the factory.

Complementing the brand’s designs with Seehow’s custom builds resulted in a unique aesthetic.

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Having studied the vegetation of the surrounding Tai Po Kau Nature Reserve, Ho envisaged the family living and dining areas as if they were on a forest floor. To echo this design metaphor in the shared social space, he sculpted structural columns to resemble tree trunks, and created a false ceiling that suggests a canopy scattered with the shadows of falling leaves.
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