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After The WarLove, hate and the post-war paradox of China-Japan relations
A popular film about the Nanking massacre marks the latest fraught chapter between countries that view each other with suspicion and affinity
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Ahead of the 80th anniversary of Victory Day, marking the end of the Sino-Japanese war and the global fight against fascism, we look at the profound changes of the post-war period and how they continue to affect China’s place in the world. In the second part of this series, Shi Jiangtao looks at the often contradictory sentiments in relations between the two countries.
Eighty years after the end of World War II, a harrowing cinematic portrayal of Japanese wartime atrocities during the 1937 Nanking massacre has reignited memories of historical trauma that resonate deeply across China.
With its emotionally charged depiction of Chinese resilience against one of history’s most horrific crimes, Dead to Rights has stormed the summer box office, grossing more than 2.7 billion yuan (US$377 million) following its July 25 release and drawing more than 76 million viewers in less than a month.
Timed to coincide with Beijing’s 2025 commemoration of China’s victory over Japan, the film’s success has fuelled anti-Japanese sentiment, with public perception of the island country nearing a historic low, despite diplomatic efforts seeking to stabilise a fragile thaw in bilateral ties.
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