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The West Hollywood Edition: grit and glamour at Ian Schrager’s new Los Angeles hotel

  • The luxury property plays it cool with name-dropping art, A-list guests and architecture by British master of minimalism John Pawson
  • It is also close to some of the city’s major landmarks, including Rodeo Drive, the Getty Center and Chateau Marmont

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The West Hollywood Edition enjoys views across the Los Angeles basin.

What is it? The first new five-star hotel in WeHo in years, The Edition recently opened at the nexus of Beverly Hills and West Hollywood, on the corner of West Sunset Boulevard and North Doheny Drive. It’s well positioned for shopping, antique hunt­ing and viewing art. Sunset Strip, Rodeo Drive, the Getty Center and Melrose Avenue are nearby and there are acclaimed beaches a 30-minute drive away. But if you want to rub shoulders with Hollywood’s finest, head for the hotel lobby or rooftop bar.

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What makes it so special? There is no shortage of classic luxe hotels in Los Angeles but the first hotel collaboration between Edition Hotels creative director Ian Schrager, who pioneered the boutique hotel genre, and British architect John Pawson, a master of minimalism, adds a contemporary take on Hollywood grit and glamour that feels true to the relaxed spirit of the location. Think dramatic, airy, light-filled and sleek-lined spaces with abundant indigenous plants.

The palette is restrained and the textures soft, with smooth travertine walls and red cedar offset with playful pops of bold colour – an acid-yellow pool table, for instance – and sumptuous furnishings in the lobby. The interiors make the most of an elevated perch, with rare 360-degree views over the LA basin, the best of which can be seen from the glam rooftop bar lounge, lush outdoor terrace and swimming pool. Some guest rooms have patios.

Is it only for the seriously hip? The kitsch-fabulous basement club, Sunset, draws the La La Land crowd – Janelle Monáe performed at the preview – and the rooftop pool attracts its share of A-listers, but the hotel is surprisingly unpretentious and family-friendly, with interconnecting rooms and rollaway beds, and eight rooms accessible to guests with disabilities.

The hotel’s lobby.
The hotel’s lobby.
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What about the design? This is grown-up opulence that doesn’t hit you over the head with a sledgehammer. Pawson’s discreet rigour and stark geometrics, with pale wood and dreamy white furnishings, are counterbalanced with trademark Schrager touches, such as plush forest-green velvet curtains and faux-fur bed throws.

Bold art pieces throughout include Scale, by LA-based German-American artist Sterling Ruby, a mobile that dangles above guests playing pool in the lobby. It incorporates an oil drum and a frying pan in tribute to the site’s former lives as a petrol station and the iconic Rat Pack hang-out Scandia restaurant (Frank Sinatra kept an office upstairs).

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