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OpinionArt and sexual taboos: when Hong Kong Museum of Art censors local works, what does it say about equality and inclusion?

  • An award-winning video depicting a woman in a vagina costume is hidden behind a curtain at the Hong Kong Museum of Art
  • The heavy-handed censorship shows the city has a long way to go in the fight for equality

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The age warning for ‘Rati version 3.2’ (2001) at the Hong Kong Museum of Art. Photo: Phoebe Man Ching-yin
Fung Chun-bong
The recent furore surrounding the soon-to-open M+ museum of visual culture in Hong Kong reminds us that the portrayal of nudity and the discussion of sex remains a taboo for many people in Hong Kong despite the city’s outward appearance as a cosmopolitan, open society.

Critics of M+ insist that, national security law aside, its collection is problematic because it features “pornography” and portrayals of homosexuality that they consider to be indecent and obscene.

There will always be art in any city around the world that can upset social conservatives. But here in Hong Kong, I fear the latter are winning the battle, to the detriment of our cultural life.

Over the past year, my nine-year-old son Jet and I have regularly visited the Hong Kong Museum of Art (HKMoA) except for when it had to close between waves of Covid-19 case spikes. Yet, every time we came close to our favourite work there, which is in the “Hong Kong Experience. Hong Kong Experiment” exhibition that has been extended until May 30, we were inevitably discouraged from even going near it together.

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