Photos of the mighty Himalayas and mythical temples and monasteries that dot the once forbidden kingdom have long encouraged thousands of thrill-seeking and soul-searching tourists to make a pilgrimage to Nepal. When the country opened to tourists in the 1950s, early photographers documented everything from mountains and mountaineers to Hindu monks and Western hippies mingling euphorically during the height of Kathmandu’s hippie days in the 1960s.
In later decades, photos of the armed conflict between the government and Maoist guerrillas contrasted with pictures that imagined Nepal as a Shangri-La-like destination.
For a country that thrives on tourism, photos of flattened mountainside villages and temples, shared millions of times on the internet, hammered an industry that provides livelihoods for thousands of people.
In the Shadow of Hope, by Philip Blenkinsop. More than 50 international artists from 17 countries participated in the first edition of Photo Kathmandu in 2015.
