Who is really writing K-pop songs? Students among those not getting credit for their work, TV report alleges
- A South Korean TV series alleges that K-pop music executives are among those passing off the work of other people – including students – as their own
- Students in music programmes in universities have also reportedly had their work passed off by professors to entertainment companies
![South Korean TV programme Unanswered Questions alleges that many people writing songs for K-pop bands like Exo (above) were not getting the credit, or pay, they deserved.](https://cdn.i-scmp.com/sites/default/files/styles/1020x680/public/d8/images/methode/2021/05/12/1210b570-b13c-11eb-93b7-03206dd91175_image_hires_020615.jpg?itok=DSsZ-Jfc&v=1620756384)
The K-pop song you’re listening to may not have been written by the person paid for writing it, a new report in South Korea alleges.
Saturday’s episode of Unanswered Questions, a television series airing on South Korean broadcaster SBS, investigated multiple issues surrounding K-pop songwriting and ghostwriting. The episode reported that some songwriters have benefited by passing off the work of other people – including students – as their own creative productions.
Unanswered Questions spoke with industry insiders who revealed that producers and A&R (artist and repertoire) executives – the primary figures behind songwriting and musical development at music companies – had been passing off music lyrics by others as their own, gaining copyright credits and money.
Songs coming out of the South Korean music world, most prominently idol-group-produced K-pop songs or ballads featured on K-drama soundtracks, can be immensely lucrative.
![NCT 127 perform at the SAP Center in San Jose, California, the US. Photo: WireImage NCT 127 perform at the SAP Center in San Jose, California, the US. Photo: WireImage](https://img.i-scmp.com/cdn-cgi/image/fit=contain,width=1024,format=auto/sites/default/files/d8/images/methode/2021/05/12/c5b569b8-b213-11eb-93b7-03206dd91175_972x_020615.jpg)
Songwriting royalties are often split by the amount of work a songwriter or lyricist has done. Here the work of some songwriters was being ignored or under-represented in the writing credits, resulting in less pay.
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