Artist’s exquisite etchings of Hong Kong’s iconic landmarks on glass

Glass is not quite the unforgiving and artistic fragile medium it might seem, says etcher Dominic Fonde. “It’s very contradictory. That’s I why I call this ‘the glass age’. It’s an endlessly useful material and you can virtually do anything with it. You can even put Pyrex on an open flame. Of course, a thin wine glass is fragile,” says the British artist, who lives in Kobe with his Japanese wife.

Fonde is in Hong Kong for the launch of three limited edition pieces at tableware and home accessories retailer Town House in Prince’s Building in Central. He concedes that there are other limits to the material, recalling how he once etched a peacock on a decanter. The vibration of the drill on the glass set up a howling noise that nothing could dampen. And make a mistake and it’s there for good.

Fonde overcomes this limitation by practising sketching animals using a black pen on paper. It’s the closest he can get to using a drill on glass. He mostly draws birds from Kobe Animals and Plants Environmental College but has also drawn its tortoise Gorgeous George, who it was recently discovered is Gorgeous Carmelita.

Fonde took a degree in ceramics and glass and then worked as a glassblower before developing an interest in etching. A friend visited his workshop and he spontaneously etched a short story on a jug for her as a Christmas present. This prompted a return to college to take a master’s degree, where he exchanged etching lessons for glassblowing lessons with another student.