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Entertainment

Asian cinema: Chinese films

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

‘Like a TikTok trend’: how micro dramas leave big studios in their dust

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Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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