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World of performing arts
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How a Hong Kong magician and mentalist is changing perceptions

Magic is more a performing art than entertainment, says Zenneth Kok, whose Hong Kong show, The Memory Wall, is coming to the Fringe Club

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Zenneth Kok says magic, especially mentalism and mind-reading, is more of a performing art   than pure entertainment. Photo: Zenneth Kok
Ashlyn Chak

Magical illusions have existed as a form of entertainment for almost as long as human civilisation itself – think Tales of Khufu and the Magicians from ancient Egypt – but despite its long tradition, why do so few consider it a performing art?

Zenneth Kok is a professional magician and mentalist seeking to change Hongkongers’ general perception of his craft with a 70-minute interactive mind-reading show titled The Memory Wall this weekend.

Kok, who has more than 20 years’ experience in the international magic industry, acknowledges that his show is niche in a city like Hong Kong, but hopes it will be the first of many such performances around the world. Magic is, after all, more than meets the eye.

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He tells the Post: “Here’s the thing about magic: the more I do it – especially in close-up performances – the more it feels like a display of skills and abilities.

“I can create a surprise and a moment of astonishment. But I started to feel like, ‘Why don’t I try to learn more about my audience?’ Not just ‘look, here’s what I can do’, but ‘what do you think?’”

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Kok got his start in the magic community by watching local gambling films from the late 1980s and 1990s, such as Wong Jing’s God of Gamblers, starring Chow Yun-fat and Andy Lau Tak-wah.

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