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Asian cinema: Hong Kong film
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Review | She’s Got No Name movie review: Zhang Ziyi anchors part one of Peter Chan’s murder mystery

Peter Chan’s drama set in 1940s Shanghai about a woman jailed for killing her abusive husband is thrilling but morally ambiguous

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Zhang Ziyi in a still from She’s Got No Name (category: IIB, Mandarin), directed by Peter Chan. Lei Jiayin and Wang Chuanjun co-star.
Edmund Lee

3.5/5 stars

An unsolved real-life murder in Japanese-occupied Shanghai in 1945 provides the backdrop for a vicious battle of the sexes in She’s Got No Name.

Peter Chan Ho-sun’s captivating period drama proves both morally ambiguous and thematically diffuse – though perhaps not entirely by its filmmakers’ design.
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Hong Kong film-goers should be aware that the 96-minute cut showing in the city’s cinemas is very different from the sweeping 150-minute version that premiered out of competition at the 2024 Cannes Film Festival.

Unlike that presumably shelved edit, the theatrical one is actually the first half of a two-part film that Chan came up with towards the end of the project, which underwent various format changes and was even considered for release as a TV drama series.

Part one follows Zhang Ziyi’s unnamed killer – referred to by her husband’s family names, Zhan-Zhou, or simply as Mrs Zhan – in the brief period between her arrest for the murder and dismemberment of her husband (Wang Chuanjun) and her dramatic change in fortune right at the end of World War II.
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