Lessons in film appreciation for Hong Kong cinema-goers as city’s movie industry charts future under tightened censorship

A series of talks co-organised by the Hong Kong Association of Filmmakers explains what different members of a film production team contribute to a movie

The association hopes enhancing audiences’ appreciation of Hong Kong films means they ‘will not disappear’ despite recent tightening of censorship

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From left: BC director Clarence Tsui, art director Bly Li, costume designer Miggy Cheng, director of short film production and costume design Thomas Lee Chi-wai, and film art director Silver Cheung, speaking at BC Film School Offscreen Heroes’ Production and Costume Design talk. Photo: Jonathan

Published: 12:41pm, 23 Jun 2021Updated: 7:54am, 24 Jun 2021

The tutorial film opens with a shot of dried flowers in a studio. A woman in an apron ties up her hair. She gets a call from a customer and starts arranging the flowers in front of her.

The audience can’t see what sort of shoes she is wearing, but for Miggy Cheng Sau-Han – who has dressed many film characters including Kara Hui Ying-hung in Rigor Mortis (2013) – it would only make sense if the woman was wearing flip-flops.

“Because she’s busy, and she needs to deliver the flowers to the customer once she finishes arranging them. Wearing slippers is convenient for her,” says the veteran costume designer, whose credits include Fate (2008) and Floating City (2012).

Cheng – who was nominated for best make-up and costume design at the 33rd Hong Kong Film Awards and the 50th Taipei Golden Horse Film Festival for Rigor Mortis – says she always puts herself in the character’s mind and imagines how he or she would dress.