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Old sites in India become canvases for contemporary artists as public art movement grows

At old forts and buildings in the Indian state of Rajasthan, installations are creating a ‘dialogue’ between contemporary art and history

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Subterranean Inversion: Structures of Forgetting (2025) by Ayesha Singh transformed an old structure in the Indian city of Jodhpur into an art installation. It is one of many pieces around the country creating a dialogue between the present and the past. Photo: RMZ foundation
Payal Uttam

Known for its azure-hued buildings, Jodhpur, India’s “Blue City”, is dotted with hidden stepwells. Among them is Mahila Baag Jhalra, an 18th-century structure with elaborate staircases surrounding a central pool. Once a vital water source and gathering space for women, it had fallen into disrepair.

“When I first saw it, there was a lot of garbage in the space: cigarette butts, chip packets and plastic bags,” Delhi-based artist Ayesha Singh says, adding that many locals she met did not know it existed.

Earlier this month, however, Singh collaborated with local metal specialists Mayank, Anshul and Kuldeep Kularia to transform the space into an immersive installation filled with glistening steel sculptures.

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The installation, called Subterranean Inversion: Structures of Forgetting, featured sculptures draped across the historic stepwell. Some looked like liquid mercury flowing freely. Others were more angular.

Subterranean Inversion: Structures of Forgetting featured sculptures draped across the Mahila Baag Jhalra stepwell. Photo: RMZ foundation
Subterranean Inversion: Structures of Forgetting featured sculptures draped across the Mahila Baag Jhalra stepwell. Photo: RMZ foundation

The sun’s blinding reflection off the metal sculptures could at times conceal parts of the stepwell, Singh says, which symbolises how historic structures and the lives of remarkable women such as Gulab Rai – the concubine of Maharaja Vijay Singh of Marwar who commissioned the stepwell in 1753 – are often forgotten.

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