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Body parts and Egyptian gods at Hong Kong fabric artist IV Chan’s weird-and-wonderful show

Chan’s textile pieces at her new exhibition at Hong Kong’s SC Gallery explore fertility and ‘a sort of transcendence’

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IV Chan, a sculptor, performance artist, costume designer and more, poses at her studio in Fo Tan, Hong Kong. Photo: Edmond So
Ashlyn Chak

One of the most talked-about works at the 2023 Art Basel Hong Kong fair was a giant plush installation depicting huge pieces of faeces oozing from a bunk bed.

This bizarre, unsettling, yet playful creation, called Poop Me To the Moon, tells you a great deal about the weird-and-wonderful world view of Hong Kong artist IV Chan Tsz-man.

A sculptor, performance artist, costume designer and more, Chan makes intensely personal pieces that blend dry humour with a defiant look at women’s relationships with their bodies in a way that sometimes recalls the fabric art of Louise Bourgeois and Yayoi Kusama.

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At her studio in Fo Tan, an industrial area in Hong Kong with many artist workshops, Chan says the relationship between bodies and materials is a central component of her art.

“My work very much begins from my own body experience, as I usually start by playing with materials and letting my subconscious take the lead. I always end up portraying the perspective of either a child or a mother,” the 47-year-old says.

Chan at her studio in Fo Tan, Hong Kong. Photo: Edmond So
Chan at her studio in Fo Tan, Hong Kong. Photo: Edmond So

While Poop Me to the Moon recalls a child’s fear of soiling the bed and mixes dreams and disgust, Chan’s focus on the body and its functions has also led to explorations of womanhood and fertility.

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