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Agence France-Presse

A rare exhibition is exploring the glamorous lives and fashions of two royal couples who reigned over Britain during the Edwardian period as the country tipped ever closer to World War I.
“The Edwardians: Age of Elegance”, which opened on April 11 at the King’s Gallery in Buckingham Palace, brings together more than 300 works from the Royal Collection that will be on display until November 23.
The centrepiece is the coronation gown that Queen Alexandra wore on August 9, 1902, made of silk embroidered with thousands of gold sequins and designed by the French house Morin Blossier.
Alexandra, daughter of King Christian IX of Denmark and sister of King George I of Greece, married Edward, then Prince of Wales, on March 10, 1863, in the chapel of Windsor Castle.
She was 18 years old. He was 22.

Alexandra was to remain the Princess of Wales for almost 40 years until Edward succeeded to the throne on the death of his mother, Queen Victoria, in 1901.
Under Edward VII began the Edwardian period.
The royal couple ushered in a new generation after the austere last years of Victoria’s long reign, when she largely withdrew from public life, mourning the death of her beloved husband, Albert.
For her coronation as the new queen, Alexandra decided against wearing the traditional white or cream robes, which had an ecclesiastical feel.
“She wanted that moment to be a moment of pure drama,” said curator Kathryn Jones.

Realising that electric light was to be “used for the first time in Westminster Abbey … she chooses a gold fabric so that she shimmers with thousands of tiny spangles”, Jones said.
The dress is fragile and has not been on public display for some 30 years.
Conservators spent more than 100 hours preparing it for the exhibition.
“It’s a powerful example of Edward and Alexandra’s attempts to balance tradition and modernity as they stood on the cusp of the 20th century – a shining moment of glamour before the world was at war,” Jones says on the exhibition’s website.
Edward’s gold coronation mantle is also on display, along with two thrones commissioned for the event.

Photography was still in its infancy, but it allowed thousands of pictures of the new queen to be seen around the world, turning her into a fashion icon and symbol of elegance of the times.
Alexandra was a keen amateur photographer herself, and some of her snapshots taken with a portable Kodak camera are on display.
Two massive portraits of the couple greet visitors arriving at the King’s Gallery.
One room depicts their lavish lifestyle through paintings of opulent receptions, concerts, regattas on the Isle of Wight, lavish costume balls, garden parties, and their residences at Marlborough House in London and Sandringham in Norfolk.
As collectors, they amassed textiles, artworks, tableware, paintings, furniture, sculptures, plants and rare books.
There is a copy of Oscar Wilde’s Poems with a rare handwritten note by the author.

Edward also discovered a passion for Fabergé and ordered several miniature figures of his favourite animals.
Visitors can admire paintings and watercolours by such artists as Frederic Leighton, Lawrence Alma-Tadema and John Singer Sargent, as well as bronze sculptures by Alfred Gilbert.
Several rooms are dedicated to the royal couple’s travels across five continents.
The exhibition also includes works collected by Alexandra and Edward’s son, who became George V and was crowned in June 1911, with his wife Mary.
By then, times were changing, and instability and political turmoil roiled Europe and the British Empire.
The Age of the Edwardians was fast coming to an end.


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A glass case contains Queen Alexandra’s coronation dress and King Edward VII’s coronation mantle at “The Edwardians: Age of Elegance” exhibition in Buckingham Palace, London. Photo: AFP

An artwork titled Queen Alexandra (centre) by British painter Samuel Luke Fildes at the exhibition. Photo: AFP

King Edward VII’s coronation mantle and Queen Alexandra’s coronation dress at The Edwardians: Age of Elegance. Photo: dpa

A museum staff member dusts a throne chair at the exhibition. Photo: AFP

A giant vase, which was a coronation gift from China, at the exhibition. Photo: dpa

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A visitor looks at The Manchester Tiara, featured in Cartier at London’s V&A. Photo: AFP

A visitor to the Cartier exhibition at London’s V&A looks at the Patiala Necklace, commissioned in 1928 by Bhupinder Singh of Patiala, the Maharaja of the princely state of Patiala, India. Photo: AFP

The Rose clip brooch, dated from 1938, was owned by Britain’s Princess Margaret. Photo: AFP

A panther bracelet created in 2015. Photo: AFP

A gallery assistant poses with the Manchester Tiara, which was commissioned in 1903 by Consuelo, the Dowager Duchess of Manchester, and features in Cartier, an exhibition in London. Photo: EPA

A Cartier jewellery clock made in 1914. Photo: EPA

A panther necklace created in 1991. Photo: AFP

A tiara owned by US industrialist heiress and congresswoman Mary Scott Townsend. Photo: AFP

The Crash wristwatch, dating from 1967. Photo: AFP

The Lily Stomacher Brooch, dating from 1906, was owned by Mary Scott Townsend. Photo: AFP

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A visitor looks at enlarged sections of paintings at the ‘From Rembrandt to Vermeer, Masterpieces from The Leiden Collection’ exhibition. Photo: EPA-EFE

A museum staff member examines the painting A Young Woman Seated at the Virginals by Dutch painter Johannes Vermeer in the H’ART Museum in Amsterdam. Photo: EPA-EFE

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Lifestyle

Arts

Fashion & Beauty

The exhibition explores the glamorous lives and fashions of two royal couples who reigned over Britain during the Edwardian period


The exhibition explores the glamorous lives and fashions of two royal couples who reigned over Britain during the Edwardian period.


Britain

Royalty