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Dumplings dive, a lychee lounges, a tea egg totes a suitcase – there’s food for thought in oil painter Chang Ya-chin’s still lifes, on show in Hong Kong

  • Chang Ya-chin paints still lifes of everyday Hong Kong food items, from fruit to dumplings to bubble tea, placing them in unexpected settings
  • ‘I don’t go into it thinking I want to be funny,’ says the classically trained Chang, whose art, showing for the first time in the city, is laced with poignancy

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Detail from “Hide and Seek: Rice Cooker, Rice and White Rabbits”, one of the paintings featured in Chang Ya-chin’s first Hong Kong exhibition, “These Things”, in which the artist brings food to life to get viewers to look at the world in a new way. Photo: Chang Ya Chin/Kiang Malingue

If one of the functions of art is to make you view the world in a different way, then the success of Chang Ya-chin’s paintings is – like the noodles she features in her work – instant.

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Once you have seen her dumplings bravely climbing a ladder as they prepare to dive into a bowl of dark vinegar, or her lonely tea egg carting a suitcase across a bridge, or her unpeeled lychee lying back on a swing looking more wanton than any decent fruit has a right to appear, the universe of Hong Kong food takes on a new flavour.

These are not dashed-off jokes. They are old-school oil paintings in the style of Jean Siméon Chardin or Jacob Van Es, had those artists taken an anthropomorphic approach to their still-life work.

“I don’t go into it thinking I want to be funny,” says Chang at Kiang Malingue gallery in Aberdeen, where her first Hong Kong exhibition, “These Things”, is being shown.

“Dive: Dumplings, Black Vinegar”, by Chang Ya-chin, features in her Hong Kong exhibition “Chang Ya-chin: These Things”. Photo: Chang Ya-chin/Kiang Malingue
“Dive: Dumplings, Black Vinegar”, by Chang Ya-chin, features in her Hong Kong exhibition “Chang Ya-chin: These Things”. Photo: Chang Ya-chin/Kiang Malingue
“Lychee on a swing”, by Chang Ya-chin. Photo: Chang Ya-chin/Kiang Malingue
“Lychee on a swing”, by Chang Ya-chin. Photo: Chang Ya-chin/Kiang Malingue

“When I go to a grocer’s store, it’s like a casting call. You pick up a pear and it has so much personality. But I’m also playing with the shapes, the light and the shadow and how they interact.”

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