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Show that turns theatre stage into one giant bed, for audience and players alike, yet asks some uncomfortable questions

Bedtime Stories blends theatre, circus and literature in a show that asks questions about parent-child relations in modern families

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A scene from theatre show Bedtime Stories, with young audience members watching from the side of the stage at the Hong Kong Cultural Centre. Photo: Xiaomei Chen

It’s a family show with a difference. Bedtime Stories does away with all the (stuffy) theatre etiquette and welcomes audience members “to dress up in their pyjamas and slippers and bring their dolls”. Instead of having assigned seats, some will experience the show lying on big cushions on the stage.

“We wanted to create an environment where people could feel safe watching [the performance], where they could be together while watching a show about the difficulties of being a parent,” says Vicki Amedume, artistic director of London-based circus troupe Upswing.

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The company, which is making its debut in Hong Kong, blends theatre, circus and literature to tell stories.

“We want to use the physical skills in the spectacle to tell a story that is meaningful to the people,” says Amedume. “I was really interested in what it’s like being a parent in a busy world [ …] We wanted to make a show that explored these themes and circus felt [like] a good medium to explore that with.”

The artist says she hopes the show, and its unusual setting, will move the audience in various ways.

The issues for families that Bedtime Stories touches upon are universal.

“Vicki’s show is multicultural,” says Camille Bensoussan, executive director of Upswing. “We are not putting a British view. Our stories have to cross cultural barriers.”

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