Opinion | Amid China-India tensions, Bollywood and cinema can help bridge divides
- Cinema can connect the young people of China and India, strengthen links and facilitate diplomatic dialogue, particularly when filmmakers collaborate
- The pandemic and last year’s border conflict have slowed down progress, but the pragmatic possibilities of film diplomacy are too many to ignore
Cinema is an effective soft power instrument. It connects people, encourages cultural appreciation, deepens civilisational links and helps diplomatic dialogue. It is much needed today, when the world view is dominated by “popular geopolitics” – that is, the representations and perceptions created by mass media, including films.
Under the aegis of the 2014 co-production treaty, the initial films proposed include The Zookeeper, a travel drama by Indian filmmaker Kabir Khan, and Love in Beijing, a cross-cultural romantic comedy to be directed by Siddharth Anand.
Other Sino-Indian film collaborations have since hit the big screen. Xuan Zang, released in 2016, depicts the journey of a Chinese monk and scholar of the same name who travelled to India in the 7th century. Its big-name cast includes China’s Huang Xiaoming and India’s Sonu Sood.