Hong Kong should be celebrating its popular culture as much as giant infrastructure projects
Danny Chan says if Hong Kong’s soft power is to reclaim its past glory, when the city’s unique brand of music, cinema, TV and language acted as a bridge to the region, then we must arrest its decline
One should never underestimate pop culture and the sense of belonging it can cultivate for a community. Indeed, Hong Kong serves as a good example of this. The 1970s and 1980s were the heyday of Hong Kong cinema, television and other popular cultural products.
It was also the time when many Hongkongers would rush home early because they couldn’t resist watching a local beauty contest, or didn’t want to miss the final episode of their favourite drama. Such Hong Kong productions often bypassed national boundaries, especially in Southeast Asia, and reached out to overseas Chinese-speaking and non-Chinese-speaking audiences alike.
Heated debates over the legitimacy of Cantonese reflect Hong Kong’s struggle with the survival of its popular culture
The power of popular culture is obvious in fostering a positive outlook for Hong Kong people. Even though the sense of “nation” has always been weak in this community, back in those days, through Hong Kong’s exports of pop culture, one could reclaim a certain superiority over Asian neighbours. As a small city that lacks its own natural resources and military, our TV dramas, pop songs, comics and films compensated for our lack of country status and consolidated our cultural presence in the region. Understanding this amid the current political sensitivity, it’s impossible to deny that the community is, in part, mourning the demise of the might of our popular culture.
