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Matt Glasby

Matt Glasby

Matt Glasby is a UK-based critic and author. His latest work, The Book of Horror: The Anatomy of Fear in Film, is an in-depth, illustrated guide to the scariest movies ever made.

Chan was so unhappy with his role as a cold-blooded killer in the James Glickenhaus-directed film he asked for a new version for Hong Kong.

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The Stephen King novella adaptation with Morgan Freeman and Tim Robbins lost out to Forrest Gump at the 1995 Oscars but holds up 30 years on.

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21 & Over, the 2013 comedy from The Hangover writers, raised eyebrows with its racism and sexual objectification. Extra scenes shot for a Chinese cut made it a quite different film but not a better one.

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Released 30 years ago, Natural Born Killers – starring Woody Harrelson and Juliette Lewis – remains the most provocative film of Oliver Stone’s career and one of the most controversial movies ever.

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Casablanca meets The World of Suzie Wong in the 1959 movie Ferry to Hong Kong, whose cast – specifically stars Curt Jürgens and Orson Welles – nearly sank it for James Bond director Lewis Gilbert.

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Daring, original and completely sincere – how often can you say that about a Hollywood film? The Village, 2004 M. Night Shyamalan thriller that vexed critics, remains one of his best films 20 years on.

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Starring Samantha Morton and Tim Robbins as forbidden lovers in a story with echoes of 1984 and Blade Runner, Code 46 was shot largely in Shanghai and Dubai, the real locations lending it authenticity.

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Tom Cruise, George Clooney and Britney Spears were all considered for The Notebook before John Cassavetes’ director son Nick picked Ryan Gosling and Rachel McAdams, and made them A-list stars.

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Michael Cimino’s New York-set triad thriller Year of the Dragon, with Mickey Rourke and John Lone, wasted the chance to thoughtfully explore the American melting pot and instead went the racist route.

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Jennifer Kent’s thrilling 2014 debut The Babadook poses the questions no one dare ask about motherhood. It’s a supernatural psychological horror film even Stephen King called ‘deeply disturbing’.

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In 2009, Dragonball Evolution adapted Akira Toriyama’s Dragon Ball for the big screen, but the result was a low-budget, laughably bad movie that sidelined Asians and debased the iconic manga series.

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As the quintessentially British Shaun of the Dead turns 20, we look back at this genre-defining rom-zom-com and how it came to be lauded by cinema luminaries in America as well as at home.

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Flower Drum Song (1961), the first Hollywood film with a mostly Asian cast, was a rare box-office dud for Rodgers and Hammerstein. Was it a coincidence? We look back at the groundbreaking musical.

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The 2004 film by Michel Gondry and Charlie Kaufmann, starring the unlikely pairing of Jim Carrey and Kate Winslet, puts a deliciously surreal twist on the love story.

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Bloodsport is not a great movie but it always entertains. The Hong Kong-set action drama is best known for propelling Belgian martial artist Jean-Claude Van Damme into the Hollywood big league.

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Calling it a masterpiece might be a stretch but the 2004 time-travel thriller The Butterfly Effect – despite its chaotic plotline – filled a void left by a dearth of quality horror films.

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Jet Li received praise for his role as Danny the dog in Luc Besson’s gritty 2005 action movie. While he shone among co-stars such as Morgan Freeman, it didn’t help the martial arts actor crack Hollywood.

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12 Years a Slave, director Steve McQueen’s 2013 adaptation of a book about a man sold into slavery, gave an unflinching portrayal of abuses inflicted upon African Americans in the Antebellum South.

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Jackie Chan may be a household name today, but it took 15 years of trying and 1995’s Rumble in the Bronx for the Hong Kong martial artist to win over international audiences and become a Hollywood star.

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2001’s Rush Hour 2, starring Jackie Chan and Chris Tucker, was a major box office success. Chan hated the film – although not for its crude stereotypes and overt sexism.

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Rowan Atkinson plays British spy Johnny English, who travels to Hong Kong to prevent an attack on a Chinese premier, in a film meant to court Chinese audiences but which was packed with stereotypes.

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Starring John Cusack, Roland Emmerich’s disaster movie ‘2012’ broke box-office records in China after its release in 2009. But why? It’s hardly a flattering ‘love letter’ to China, as some at the time thought.

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Michael Mann’s 2015 film Blackhat – which combines hacking, Chris Hemsworth and Hong Kong to disappointing effect – has plenty of expertly filmed action set pieces, but little else to offer.

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