The Asian Art Archive has spent more than a decade building its collection of material about contemporary art in Asia. And on the coming weekend, for the first time, the archive will take centre stage in a free two-day event with the theme, 'Between the Lines'.
Susanna Chung Yuk-man, the head of learning and participation at the AAA who was on a Asian Cultural Council (ACC) grant to visit the US last year, sees an opportunity to engage Hong Kong people.
'The Open Weekend attempts to encourage people to think about art in Hong Kong,' says Chung, who has learned from more than 70 museums in 10 cities in the US and Britain.
But she realised the cultural context and subject matter she faced in Hong Kong were vastly different. 'I've visited a lot of acclaimed art museums, but we are an archive. I need to think about the collection we have, and how to put it at the centre,' she said.
A problem she has to address is how people often feel distant from contemporary art. 'Contemporary art spaces are usually tiny, like Cattle Depot Artist Village. While people may see local or international art in auction houses, exhibition previews, art fairs and so on, those are the art market,' she said.
On the surface, Hong Kong has a thriving art scene; it's the third-largest auction centre in the world after New York and London, with big-name galleries such as Gagosian and White Cube setting up here. But the commercial side of art is dominant in Hong Kong, she said.